I like to think of myself as an a amateur artist, but the truth is that I can’t even draw to save my life. I have no skill for realistically representing things on paper or canvas.
Still, it is one of my goals to make a thorough study of the external features of Earth’s animal and floral biota through handmade art. My hope is that by studying forms and colors of living organisms, juxtaposing the ideas, reorganizing them, and adding twists of my own, I can design some interesting new creature for the simulators my fantasy calls for designing.
To study the biota closely, I want to draw individual organisms. I believe that by closely studying the forms I can better get to know them. I can internalize their shapes and colors in an intuitive way.
So, since I can’t draw, how do I do this?
I discovered this handy and very cheap tracing projector. I place an image on my iPhone, and lay the phone in the holder on the projector. The image of on the iPhone reflects in the semi-transparent lens, and while looking through the lens from the top, I can use my pencil or pen to trace lines. I then go back and color the images with pencils from my 150 color Prisma pencil set.
After I make an image of each organism, I add scientific notes to the back of the image. Then I file the image in a portfolio. I hope that as begin to make more of these images and review them, I can begin to make interesting juxtapositions and recombination.
I will eventually begin to draw and sculpt new external forms and design new internal physiologies.
One of the fantasies I like to entertain is that it may someday be possible for humans to create a whole new biota of life. I know, I know. I’m a scientist. Life evolves. It is not created. But just imagine how exciting it would be for humans to create their own living offspring. I don’t know how, when, and where, but isn’t it exhilarating to think that maybe we could create offspring of our own design? Our biologists are already attempting to make primitive living structures. Maybe someday we will colonize space. Could our artificial intelligence support our new life forms? A simulator? A novel universe among multi-verses? I think the possibilities are limitless no matter how many eons into the future it may take humankind to achieve such a goal.
So, one of my artistic activities is to study Earth’s biota and imagine new organisms. I study, make juxtapositions, and create new forms and biologies.
I have a doctorate in the physiological sciences. So, I have a pretty good understanding of molecular biology and physiology. Right now I am more interested in conceptualizing new structural and external features.
As I consider novel external features, I am obsessed with color. “Color is very important to me,” I recall my grandmother saying once. Color has also become very important to me. Color has played a role in my psychiatric disorder from the beginning. At first, it seemed to me that primary colors were being placed in my environment in purposeful patterns. Then these primary colors seemed cleaner and brighter. Change in color perception is still one of the predominant symptoms I experience when my mental status is altered. So, yes, color is very important to me.
As I imagine new structures for new life forms, one of the first things I think about is color. I’ve already started imagining greenish humanoids, but then I feel unoriginal. Doesn’t everyone imagine green aliens?
What about the possibility of multi-colored humanoids? This has led me to an interest in bird coloring.
The melanins are synthesized by melanocytes and the birds’ natural physiology. Natural structural variations in feather follicles give fine control to the pigmentation. The carotenoids, which give the birds the brighter colors, must be obtained from the birds’ food, and the melanins and carotenoids work together to give the birds their intricate, colorful plumage patterns.
So, as I continue my fantasy of designing a novel biota, and when I turn to the subject of a novel organism’s color, I am now given the idea to consider interactions between naturally produced pigments, pigments in the organism’s diet, and structural contributions to pattern and pigment.
Maybe someday I will share images of my creations. Right now, the biologies, forms, and colors exist predominately in my dreams. The project has just begun.
About halfway through the audio version of this memoir narrated by the renowned forestry scientist Suzanne Simard herself, I was ready to conclude that the author had not accomplished her goal of getting me to see the forest in anthropomorphic terms. Now that I have concluded the book, this is in some ways still true for me, but by the end of the book I was able to see the parallels between Dr. Simard’s personal story and the life of the forest. I eventually stepped into the shoes of both Dr. Simard and the forest.
This is a story of innate joy in curiosity turned into disciplined science and academic activism. It is a story of communication, competition, cooperation, and synergy.
In this book, you will learn how the forest works as a united whole, and you will find broad understanding and implications for human life with friends, family, and society in general. By the end of the book, the title truly has a specially developed meaning. You will find the mother tree.
Note: I found the audiobook could be comfortably enjoyed at 1.5X.