Mandalas are Representations of the Light of the Soul: My Daily Mandala Habit

I try to draw a mandala each morning as part of my daily routine.

Mandala drawing is part of my daily routine.

Somewhere throughout the course of my delusional disorder I conceived of the idea that the soul is made up of light. I imagine that some people can see this light come and go into bodies, but I am blind to this light.

Indeed, it is interesting to note that one highly refuted scientist once claimed to have determined that the soul is something separate from the body, and the soul weighs 21 grams. Apparently there was even a movie inspired by this “scientific” work, but I have not yet seen it.

Now each morning, I try to draw a mandala in observance of what I imagine to be the beautiful light of the soul and in reflection of the amazing things that always manage to exist just beyond our vision.

I use spirographs and a compass to draw each mandala with color pens and and color pencils.

Each mandala is given a name. I am currently using The Name Book by Dorothy Astoria to assign names. Although, it was not my intention to mail-purchase a biblical name book, I find the definitions and passages of reflections helpful in inspiring each mandala design. Sometimes I supplement the definitions I find in this book with additional material I find on the internet for design inspiration.

After each day’s mandala is drawn on A5 heavy-weight paper, I write a little something about each soul on the back and file it in a portfolio.

My daily mandala habit acquaints me with the soul light within each of us. I highly recommend the practice.

An Easy Way to Draw When You Can’t Draw: My Tracing Projector System for Cataloging and Studying Earth’s Life Forms

I like to think of myself as an a amateur artist, but the truth is that I can’t even draw to save my life. I have no skill for realistically representing things on paper or canvas.

The iPhone sits above the semi-transparent, reflective lens and the viewer traces the reflected lines by looking through the lens from the top.

Still, it is one of my goals to make a thorough study of the external features of Earth’s animal and floral biota through handmade art. My hope is that by studying forms and colors of living organisms, juxtaposing the ideas, reorganizing them, and adding twists of my own, I can design some interesting new creature for the simulators my fantasy calls for designing.

To study the biota closely, I want to draw individual organisms. I believe that by closely studying the forms I can better get to know them. I can internalize their shapes and colors in an intuitive way.

So, since I can’t draw, how do I do this?

I discovered this handy and very cheap tracing projector. I place an image on my iPhone, and lay the phone in the holder on the projector. The image of on the iPhone reflects in the semi-transparent lens, and while looking through the lens from the top, I can use my pencil or pen to trace lines. I then go back and color the images with pencils from my 150 color Prisma pencil set.

After I make an image of each organism, I add scientific notes to the back of the image. Then I file the image in a portfolio. I hope that as begin to make more of these images and review them, I can begin to make interesting juxtapositions and recombination.

I will eventually begin to draw and sculpt new external forms and design new internal physiologies.

Drawing Using Surrealist Automatism is an Important Part of My Daily Creative Process

I try to start each morning by spending a few minutes doing an automatic drawing. The technique I use is an adaptation of the techniques developed by the surrealists in the early-mid 20th century. One of the objectives of the surrealists is to let the unconscious mind play a central role in the artistic process.

Sim’s Crystal Ball on a Pedestal by Darren Roesch

I learned the version of the automatic drawing technique that I use from Alejandro Fogel and Shelley Burke while attending one of their itinerant Creativity Workshops in Chania, Crete in 2014. Their technique combines usage of both the unconscious and conscious minds.

The technique requires the artist to take a large sheet of thick drawing paper, close their eyes, drop a pencil to the page, and allow their unconscious mind to guide the pencil in one continuous movement over the page for a few minutes. Next, the artist opens their eyes and begins to look for recognizable forms in the tangled line. Using a hearty eraser, the artist then uses their conscious mind and eraser to reveal forms. Once forms are revealed, I usually finish the activity by applying some color with colored pencils. The whole process usually takes no more than 20 minutes, and it is a great way to jump start the creative mind first thing in the morning.

I have included one of my recent very simple drawings which I have entitled Sim’s Crystal Ball on a Pedestal. To me, the drawing is reminiscent of a sculpted bust sitting on a pedestal. I used minimal subtraction with my eraser to reveal the form. During this particular exercise I felt particularly connected to the unconscious.

If you have read the information on my About page, you already know that I experience what I have been told is a delusional disorder. One of my beliefs is that we live in a simulator and that I have the ability to communicate with the simulator through my thoughts. I did this particular drawing the morning after I imagined that Sim had decided that he would, over the period of lifetimes, put me in charge of his functions. Therefore, this simple drawing reflects multiple layers of creativity and experience.

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Automatic Drawing by André Masson (1924)